Philippe Starck

one of the most famous designers

Philippe Patrick Starck (born January 18, 1949, Paris) is a well-known French Product designer and probably the best known designer in the New Design style. His designs range from spectacular interior designs to mass produced consumer goods such as toothbrushes, chairs, and even houses.

He was educated in Paris at École Nissim de Camondo and in 1968, he founded his first design firm, which specialized in inflatable objects. In 1969, he became art director of his firm along with Pierre Cardin.

Products
Two of Starck's designs include stylized toothbrushes (1989) and a sleek juicer dubbed the Juicy Salif created for Alessi in 1990. The Juicy Salif has become an affordable and popular cult item.

He is also the designer behind the infamous US$100 million+ yacht "A".

Furnishings
Regarding Starck's furniture designs, he is famous for his designs for the Italian manufacturer Kartell, many of which are made from polycarbonate plastic. World famous products he has designed include the transparent Louis Ghost chair, Ero|S| chair, Bubble Club sofa, and La Bohème stool. He has also been involved in the relaunch of the World War II-era Navy Chair in the U.S., designing a classic furniture collection around it.

Restaurant interiors
Among his interior designs for restaurants, Starck design the Felix restaurant-bar at the The Peninsula Hong Kong, a classic hotel facing the Hong Kong harbour on the Kowloon side. This design, located on the 28th floor, is known for several design features including the men's washroom, which features urinals facing glass, and a spectacular view of the Kowloon cityscape.

An earlier design by Starck, now world famous, was for the Café Costes in Paris (1984).

Hotel interiors
In 1988, Starck was commissioned by famed nightclub impresario Ian Schrager, former co-owner of Studio 54, to refit the Royalton Hotel on New York's East 44th Street. It was a design moment that has since changed the hotel industry; boutique hotels, where design is an important factor, became the industry buzz. However the Schrager hotels are also known for their celebrity and publicity orientations that attract attention to the hotels.

The Starck-Schrager design hotel partnerships continued in New York at the Paramount hotel, and then spread to Miami with the opening of the Delano Hotel in South Beach in 1995, to Los Angeles with the Mondrian Hotel in December 1996, to London with both the St. Martins Lane hotel in 1999 and the Sanderson hotel in 2000, to San Francisco and the Clift hotel, and finally back to New York with the Hudson hotel, with what is described as "Cheap Chic".

The look and feel of Starck-Schrager hotels has been highly influential, including the approaches at Starwood's W hotels.

Starck also designed Jia - the first Philippe Starck-designed boutique hotel in Asia.

From 2007 until 2022, Starck is under an exclusive contract with nightclub mogul Sam Nazarian to design Nazarian's new hotel brand, SLS Hotels. The first property, SLS Los Angeles at Beverly Hills (a massive renovation of the former Le Méridien At Beverly Hills), recently opened, is entirely designed by Starck. The hotel lobby will feature unique Starck-designed display cases featuring rotating design items curated by gallerist Murray Moss.

From December 2007, Philippe Starck and his daughter Ara were involved in the redecoration of public areas at Le Meurice, Paris.

Through yoo, Starck has also been involved in the creation of several property developments, which feature Starck designed interiors, one of which is Meta By Starck in Sydney,Australia as well as the G-tower in Dubai. Other developments have been undertaken in Boston, Copenhagen, Dallas, Hong Kong, Leeds, London, Melbourne, Miami, Munich, New York, Phuket, Tel Aviv, Toronto, Panama, Obzor, Puerto Vallarta,Hamburg, Manchester, The Lakes, Punta del Este, Pune, Lisboa and Porto.

Mr. Starck himself has an “eclectic” design philosophy, and following video makes interesting viewing.

Legendary designer Philippe Starck -- with no pretty slides behind him -- spends 18 minutes reaching for the very roots of the question "Why design?" Along the way he drops brilliant insights into the human condition; listen carefully for one perfectly crystallized mantra for all of us, genius or not. Yet all this deep thought, he cheerfully admits, is to aid in the design of a better toothbrush.





Source:
Partially extracted from Wikipedia

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